RareMat and ArtFrame, 2018.03.16
Table of Contents
Markings, as defined in AAT, are “Standardized symbols, notations, or other markings applied to objects during or after creation, conveying information such as the object’s origin or maker, its authenticity, or a change in its official status.”
We contrast such markings with marginalia and other unofficial markings applied by individual users outside the creation or production process or custodial history of an object, noting that in some cases the distinction may be subtle. For example, a binding autograph by the binding designer (see Sample Data is distinguished here from an autograph hand-written in a book, by an author, owner, gift-giver, etc., when transferring ownership to another agent. In-depth pursuit of the distinctions and modeling issues is left for future research. Preliminary remarks are made in Appendix.
“Pictorial cloth binding with gold, brown, and green stamping on brown calico-textured cloth, designed by Margaret Armstrong; signed: M.A.” (signature is near the bottom, just right of center).
By intent, BIBFRAME does not provide deep modeling of resource components or physical description; these areas are left to domain extensions.
The Marking model is quite simple, involving a class hierarchy descending from a Marking superclass, and a pair of predicates to relate the Marking to the object marked. Other modeling derives from other Raremat/ArtFrame models such as Activities and Materials, as well as standard terms used in the Raremat/ArtFrame application profiles for dates, descriptions, and other properties.
Notes
ex:Marking
- URI: TBD
- Label: Marking
- Definition: A standardized symbol, notation, or other marking present in or applied to the materials of which an object is composed, or applied to an object during or after creation, conveying information such as the object’s origin or maker, its authenticity, or a change in its official status.
- Editorial note: As currently defined, contrasts with marginialia and other unofficial markings applied by individual users outside the creation or production process or custodial history of an object. This distinction may at times be subtle, and is subject to future review.</skos:editorialNote>
ex:Autograph
- URI: TBD
- Label: Autograph
- Definition: A person’s name written on a resource in his or her own hand as part of the creation or production process.
- Editorial note: As currently defined, excludes post-production autographs on an item, such as on a gift. This distinction is subject to future review.
- Example: A binder’s signature
- Subclass of: Marking
ex:BindersTicket
- URI: TBD
- Label: Binder’s ticket
- Definition: Small engraved or printed label, usually found on the upper outside corner of one of the front flyleaves, giving the name and usually the address of the bookbinder; common in the 18th and early 19th centuries.
- Subclass of: Marking
ex:Inscription
- URI: TBD
- Label: Inscription
- Definition: Words, texts, lettering, or symbols written in manuscript on a resource.
- Subclass of: Marking
ex:Label
- URI: TBD
- Label: Label
- Definition: A piece of paper, leather, fabric, or other material inscribed, printed, or engraved with information and affixed to a resource or part of a resource for identification or description.
- Subclass of: Marking
ex:Seal
- URI: TBD
- Label: Seal
- Definition: An impression that has been made in wax, clay, or another soft material by the impact of a hard engraved surface with monograms, writing, numbers, symbols, or design in intaglio, generally used to authenticate documents or for decoration.
- Subclass of: Marking
ex:Stamp
- URI: TBD
- Label: Stamp
- Definition: A mark that is impressed, printed, perforated, or embossed, made by a hard object, especially a die, block, or other tool, on a softer material such as paper or wax.
- Subclass of: Marking
ex:Watermark
- URI: TBD
- Label: Watermark
- Definition: A faint design or device incorporated into paper as it is made and appearing as translucent or shaded areas visual only through transmitted light. Often used to give the name of the manufacturer and the date of the paper’s manufacture; a symbol, seal, or initials are also common. Often used to detect and prevent counterfeiting and forgery.
- Subclass of: Marking
ex:marks (ObjectProperty)
- URI: TBD
- Label: marks
- Definition: A Marking’s relationship to the resource it is on or in.
- Domain: Marking
- Range: unspecified
- Inverse: ex:markedBy
ex:markedBy (ObjectProperty)
- URI: TBD
- Label: markedBy
- Definition: A resource’s relationship to a Marking it bears.
- Domain: unspecified
- Range: Marking
- Inverse: ex:marks
:binding a ex:Binding ;
ex:markedBy :marking ;
ex:hasActivity :activity1 .
:marking a ex:Autograph ;
rdf:value “M.A.” ;
ex:hasActivity :activity2 .
:activity1 a ex:DesignerActivity ;
bf:agent :margaret_armstrong .
:activity2 a ex:CreatorActivity ;
bf:agent :margaret_armstrong .
As noted in the Introduction, we make a distinction between the Markings modeled here and marginalia and other unofficial markings applied by individual users, rather than as an element of the creation or production process of the object, or of its custodial history. In-depth pursuit of the distinction and modeling is left for future research, but we make some preliminary remarks here.
As noted, this distinction may be elusive. For example, a binding autograph by the binding designer (see Sample Data) may be distinguished from an autograph hand-written in a book, by an author, owner, gift-giver, etc., when transferring ownership to another agent. If we maintain the distinction, then we would define another class hierarchy for the second category of marking, which could include marginalia, hand-written dedications and autographs, bookplates, and others. The dilemma is that some of the subclasses defined here cut across these two major types; e.g., Autograph, Stamp, and Seal can be of either type, so maintaining two disjoint class hierarchies seems artificial. How else could the distinction be made?
Approaches that will not work:
Possible approaches: